Three Lives in an Age of Empire
Available from Yale University Press.
This book tells the unlikely story of the connections in the eighteenth century between a Cherokee warrior in the southern Appalachians, a Raiatean voyager from the Tahitian archipelago, and the British artist who painted them both. It is a story about the globalizing force of the empire that touched them all, but also of the rich diversity of the 18th-century world.
“Kate Fullagar peers into the soul of the eighteenth century, discovering the shared human challenges that connected three very different men, three faces of the whirling gyre of the British empire. As deep and luminous as a Reynolds portrait, and as wide and wondrous as the Pacific, The Warrior, the Voyager, and the Artist will astonish.”— Jane Kamensky, author of A Revolution in Color: The World of John Singleton Copley
“Fullagar does for biography what Reynolds wanted to do for portraiture—have it speak with the authority and humanity of history. But where he failed, Fullagar brilliantly succeeds.”—Peter Brunt, Victoria University of Wellington
“Deftly combining indigenous studies, postcolonial perspectives, cultural history, and visual studies, Kate Fullagar produces a new portrait of Georgian Britain that is both surprising and entirely convincing.”—Douglas Fordham, University of Virginia
“Spanning three land masses and two oceans, The Warrior, the Voyager, and the Artist exemplifies the very best of the new biography, and is a must read for anyone interested in the cultural history of the British Empire.”— Eliga Gould, author of the Among the Powers of the Earth: The American Revolution and the Making of a New World Empire
“A deftly‑told story of three inter‑connected but very different lives that challenges many of the clichés about the history of the British empire. Fullagar’s account is subtle, persuasive and humane.”—John Brewer, California Institute of Technology
Padraic Scanlan in Journal of Modern History: “In this cleverly constructed triple biography, of Reynolds and of two men whose portraits he painted (the Cherokee warrior-diplomat Ostenaco and the Ra‘iātean traveler Mai), Fullagar limns the limits of British imperial power in the era of the Seven Years’ War and the American Revolution…As an experiment in biography intended to dislodge Britain from the center of British imperial history, the book succeeds brilliantly.”
Bryan Rindfleisch on H-Net: “Kate Fullagar weaves together a masterful story of three disparate individuals whose paths intersected only briefly in early modern London, but together reveal much about … broader imperial, Atlantic, and Pacific worlds… Altogether, Fullagar challenges historians of the British Empire … to realize a more authentic narrative of empire that includes Indigeneity during the eighteenth century. And she blazes the way forward.”
Nicholas Thomas on Inside Story: “The Warrior, the Voyager, and the Artist is imaginatively conceived and engagingly written. It builds on biographic experiments such as those of Natalie Zemon Davis and the historical anthropology of Greg Dening and Anne Salmond, acknowledging that the lives linked by Reynolds’s portraits were not all the same, and not those of “selves” of the modern individualistic sort.”
Sophie Forgan on CCS: “Does the author achieve her aims of using these three lives to write a chapter in the history of the British Empire as seen through the experience of the indigenous individuals in question? … the answer is a definitive “yes”. It is well written, with a real sense of biographical narrative and drive, following the travellers on their voyages to Britain, and back to their homeland, and their subsequent lives. There is an acute awareness of indigenous protocols of behaviour, practices and language …”
Jace Weaver in WMQ: “Fullagar … skillfully pieces together the lives of these two indigenes from fragmentary evidence. She also vividly depicts their wider communities and the world in which they operated … [Her] monograph is pushing back against a moment when nostalgia for empire seems on the rise … Fullagar does not deny the brutality of empire or its pernicious and pervasive effects. She makes clear that it deserves no one’s nostalgia. Hers is a tale—three actually—well told.”